The Editblog

Here’s my FCPX review at Studio Monthly. Oliver Peters has his too.

Have you seen the museum of early video editing equipment?

Here’s a couple of tips for keeping Premiere Pro running smoothly.

Here’s a handy pdf about color levels when import and exporting from Avid Media Composer.

Avid did extend their $995 Final Cut Pro crossgrade.

Switching to Premiere Pro can save you some bucks.

And Sony is even offering a competitive upgrade for Vegas!

A new version of Shotput Pro is out.

The Neat Video noise reduction plug-in is now available for Quantel machines (pdf link).

The guys who make Scopebox and Clipwrap have started a podcast.

Why join a user group?

Ars Technica asks if Apple still cares about creative pros.

This post might be helpful if you’re in need of a job.

So has Color been merged into FCPX?

Some people just can’t stomach giving money to Apple.

It’s nice to see detailed accounts of how others set up their edit suite.

This is an interesting discussion of video scope discrepancies.

5 tips when getting started in editing.

How one person got an FCPX refund.

Apparently the broadcast safe filter in FCPX will work.

Another good FCPX video.

Could the Comcast data cap kill your internet access too?

Thunderbolt speed testing begins.

The 3 part FCPX demo from a recent LAFCPUG meeting is a must FCPX watch.

Here’s a gigapixel image from a recent U2 show in town. These things are always amazing.

Want to work faster in After Effects and Premiere Pro?

Finally, 100 Final Cut Pro X questions answered.

So they say prolonged sitting may be as dangerous as smoking!

Dropbox is wonderful but some etiquette when using it with others would be nice.

Part 1 of 3 on choosing the right shared storage solution. I am following this one with great interest.

More about RED EPIC!

Here’s part 1 of Post Soup, (it’s about post-supervising) which looks to be a great series.

We might need to know how to create a bootable Mac OS Lion disk once it ships via Mac app store download.

If you need edumacation about HD color model and sub-sampling then this is the article for you.

Editmote is an iPhone control app for your NLE. I’m  looking forward to see where this one goes.

AETUS helps out with creating dynamic, hand-drawn text.

Here’s some help with keeping that aspect ratio when scaling down your footage.

Splice Now has a tip on displaying source track names in the Avid timeline.

Why are FCP thumbnails showing media offline when media is available?

Do you need to reinvent yourself?

This tutorial about superimposing a car onto another image is a great photoshop tutorial.

First we get some deep analyzation of the FCPX screenshots that might show Motion integration then we got some possibly leaked Motion 5 screenshots. Just get it here already.

Can You Customize the Tangent Wave for DaVinci Resolve? Or just go with the cheapest control surface ever.

If you’re curious about RED EPIC then read about others playing with EPIC frames.

If you’re a Roger Waters / The Wall fan then this piece on the current tour animations might be of interest.

This is a great idea: still photos brought to life with a little bit or motion.

Do you need to know how to whistle real loud?

You really should look at this picture of Bonnaroo from the air.

Link from Twitter:

silveradosys [HDTV] …what are the specs that really matter? http://bit.ly/kTZVQK #media

synapticlight RT @Raindance: 6 ways film directors screw editors: http://bit.ly/mnwJ1T

FilmBudget Cable companies start charging heavy streaming video users. http://fb.me/wynmHHbd

blatherskyte The best article I’ve read so far on why cable tv doesn’t go a la carte: http://j.mp/jmKSx8

onerivermedia Using #multicam #HDSLR and #timecode together on set. http://bit.ly/myvakE

AdobeAE using Warp Stabilizer to remove objects and perform a content-aware fill in After Effects CS5.5:… http://fb.me/JnaeTm9W

digitalreb Interesting undocumented feature in Avid’s PhraseFind: movies.groups.yahoo.com/group/Avid-L2/…

AdobePremiere CUDA processing improvements in Adobe Premiere Pro CS5.5: http://bit.ly/iWDpC5 details: http://adobe.ly/gE0JlS http://fb.me/12BT4IKCV

freshdv RT @johnaugust: Screenwriters: We made an app for the iPad. It lets you read Final Draft files and looks great. http://fdxreader.com

finalcutters Got noisy footage? 21 noise reduction plug-ins for Final Cut Pro http://bit.ly/fcnoisered

jamiecobbeditor So ridiculous & yet I want one RT @joetombarello: Stay In Style & Keep Warm Inside The Edit Bay ~> http://bit.ly/k5qq0d

IncMagazine Here’s how great logos have evolved over the ages. http://ow.ly/4mUbW

hblodget America is DEMOLISHING rest of world in military expenditures and % of families that have been homeless http://read.bi/mwEqO1

josephnasto Dunno how old this link is, but this “scale of the universe” blows my mind: http://bit.ly/gllHbz

Many think post-production is an afterthought but it is not.

NVIDIA’s Quadro 4000 is their newest CUDA graphics card for the Mac.

A Camera Does Not a Filmmaker Make. If you haven’t read this essay do so now.

This is a good report on RED EPIC and HDRx. And speaking of EPIC here’s a very nice piece about working on the RED NAB film.

A LFHD report on inexpensive archiving from the NAB 2011 show.

Here’s a good article on fixing offset audio levels.

This can help you track down potential problem clips in an Avid timeline.

Nice piece here about documentaries and distribution.

Colorgrader Network is a grading resource I hadn’t heard about.

Controlling FCP from the iPad can be possible.

Digital Intermediates are important in post.

There’s this new Technicolor CineStyle image profile for Canon DSLRs.

Before you jump into it try and understand LUTs.

There’s been a lot of tests of the Technicolor CineStyle profile  and this is a good one.

Here are 15 utilities for managing FCP preferences.

How could documentary cinema change for the better?

This REDuser post is a great after NAB read about the current state of RED.

Archiving is important, even for indies (I may have linked to this before).

One of the regulators who ok’d the NBC / Comcast deal has now joined Comcast as a lobbyist. Sad.

Remember Film Threat magazine? They are crowdfunding.

Links from Twitter:

bnealeditor Thousands of free audio books from the public domain! How cool is this? http://librivox.org/

robgwilson How to Jump Ship from GoDaddy to a Better Web Host and Registrar http://j.mp/ifWdHL

CreativeCOW iPad Users: Creative COW Magazine app now available at iTunes Store http://forums.creativecow.net/readpost/1/858363

WEVAnews Adobe’s first Photoshop Touch Apps for iPad are out, shown in this clip http://bit.ly/gBpgx0 with news release: http://bit.ly/jeXFvM

ImagineerSys An overview of the mocha Pro Remove tool! We go through 6 shots where the Remove Module can help create clean plates: vimeo.com/23230113

totalfilm Malick is the master: The Making Of The Tree Of Life http://bit.ly/lCtxUv

BuzzEdition ?GAVE ME CHILLS –>Time lapse video of woman with HIV/AIDS http://bit.ly/fGPnMA

sam_longoria First Review for ‘The Tree of Life’ Brings Comparisons to ’2001? & Spielberg http://bit.ly/kuqRiw

RJWeditor AICE Editing 2011 Finalists: http://bit.ly/imY6rf

post_magazine Post Magazine’s 2011 Storage Solutions supplement is now available online http://bit.ly/eQAgGz

NVIDIAQuadro Yes, NVIDIA GPUs and technology really are everywhere: http://bit.ly/kMoZvm

kev_mon Are you a video editor that has not learned After Effects yet? No worries, go here: http://adobe.ly/hL38yj

gary_hustwit Stunning images of Chicago by a young photojournalist named Stanley Kubrick in 1949: http://j.mp/ii22Uv (via @brainpicker)

AdobePremiere Modifying timecode in Adobe Premiere Pro CS5: http://adobe.ly/gnLy92 more: http://adobe.ly/etNdmv http://fb.me/X32mbvMe

shepherdfx Compilation of articles and videos about Final Cut Pro X: http://goo.gl/DOYjY

blatherskyte Passing storm sounds awoke & reminded me to read “How to steal like an artist (and 9 other things nobody told me)” http://bit.ly/e6obg3

andrewpprice Meet the Photoshop master – BaoJun Yuan: http://bit.ly/kHyZ5a And he doesn’t charge a cent.

And finally:

hblodget America is DEMOLISHING rest of world in military expenditures and % of families that have been homeless http://read.bi/mwEqO1

It was a big NAB show last week with lots of people attending and a lot of products announced. This is a short linkage edition but with the NAB show there’s a lot of to kill time with. Here are some links from around the web.

FreshDV has some of the best coverage around the web. They did a ton of videos on everything from production to post so you can kill a lot of time watching their coverage.

Pro Video Coalition has its own dedicated NAB 2011 page with stories on many different NAB related topics. I posted a few iPhone videos over at the Editblog on PVC.

Of course we all know that Apple gave us a sneak preview of Final Cut Pro X and there’s tons of discussion of what we saw … of course. I posted my own piece about the demoed features as I saw them go by. All the usual suspects have chimed in: Larry Jordan, Walter Biscardi, Philip Hodgetts. Mike Jones says that FCP X is really not so new. I don’t think Digital Rebellion was there but they have comments from a developer pov. Here’s another piece that has what looks to be the best video captured that night.

fxguide has their NAB 2011 Wrap Up.

Digital Production Buzz had coverage every day of the show.

Here’s a report from an After Effects pov.

Studio Daily has a bunch of NAB videos. Post Magazine has their own NAB coverage as well.

Vimeo was at NAB too.

Some not necessarily NAB links from Twitter:

ywwg Yesterday: Baselight for FCP. Today: Baselight for Nuke! http://bit.ly/NAB-info

patInhofer RT @eyeheight: NAB 2011 News! Eyeheight Announces Development of complianceSuite Plug-ins for Media Composer.http://tinyurl.com/67w5r23

ronsussman this IS the future. whatever FCP or Avid is planning on offering now it will be old very soon http://oblong.com/

TapeOnline Video of Sony’s Sendai tape factory post-tsunami - http://bit.ly/hIuWTK

mikeconaty RT @thedvshow: Video Professional vs the “Video Professional” http://bit.ly/gEDLsh

synapticlight Download your free guide to Media Asset Management : http://apps.avid.com/make-most-media/interplay/?cmpid=AV-EM-MTM-9

IRIDAS IRIDAS CEO Lin Kayser talks to Post Magazine about IRIDAS’ NAB product releases: http://bit.ly/hGI6T5

goforjared updated #NABshow coverage here. Check it out! http://bit.ly/91rKQx

We are just a week away from the NAB 2011 SuperMeet. Have you gotten your tickets yet? We all know that there’s (supposed to be) the raffle grand prize of a $30,000 DaVinci Resolve system but there’s other great prizes (maybe) like an AJA Io Express, an nVidia Quadro 4000 for Mac, lots of Blackmagic hardware and way more software than you can imagine.

The presentations will may be great (possibly) including director Kevin Smith who has created quite a stir recently with his new film Red State. He’s apparently an Avid user! At least that’s what HAS BEEN THE PROMOTED AGENDA THUS FAR. The agenda had been posted and it looks like there’s something for everyone from Avid, to Autodesk to color grading to DSLRs (can there be anything today without DSLRs!!??). Here’s the specs:

• Where? - Bally’s Hotel Event Center – on the Las Vegas Strip.
  3645 Las Vegas Blvd South, Las Vegas Nevada, 89109
• When? – Tuesday, April 12, 2011 (Doors open 4:30PM for SuperMeet Digital Showcase featuring 35 vendors and PLENTY OF NETWORKING)
• How Much? $15.00 per person plus ticket fee. $10.00 for Students with valid ID plus ticket fee. $20.00 at the door
  Ticket will include 2 raffle tickets.
• Any raffle prizes? Of course. $2.00 per ticket or 3 for $5.00
• Who should attend? – Everyone who wants to learn more about Final Cut Studio, HDSLR and digital filmmaking and meet others who may know more than you do.
• Food and Drink? – Food (free) and Cash Bars will be available.

So I wrote this post up on Sunday with the intention to post it on Tuesday, one week before. But rumor has run rampant today that Apple has bought out the entire event and is planning a big surprise. If you notice the SuperMeet website as of 3:00 central on Tuesday there is no second half agenda as of yet and all the non-Apple sponsors are still listed. But word has it that the presenting sponsors were told that they wouldn’t be able to present on-stage but would still be able to attend as well as leave their signage up for the event. Who knows what the truth is at this point but I doubt there would be as many strong rumors coming from quite a few sources if something wasn’t going on.

While it would be a most interesting SuperMeet if Apple chose to launch FCPx there at the event (and the Final Cut User Group network would be deserving of such an event that’s for sure) it really seems like a rather mean thing to do if all these sponsors and presenters are dumped a week before the event. And a good question that has been asked on the ‘net is what happens to the sponsor raffle prizes if SuperMeet is “bought out” by Apple?  I think there’s quite a few folks that are eyeing the DaVinci Resolve panel as one of the main reasons to attend. Stay tuned as this drama unfolds!

Are you free next Monday evening (April 11) during your visit to NAB? If so then consider attending the MediaMotion Ball. This is an event that I had heard about for years (this is the 14th year) but attended last year for the first time. It was a really great networking opportunity but I felt I had to head out too early to attend the ALL-IN Film charity poker event (itself quite an enjoyable time). I think trying to hit both in one night was too much so this year I’m going stick with the MediaMotion Ball. According to the MM Ball website the crowd consists of “attendees from various email groups and online forums.The IMUG and After Effects email lists form the basis of the MediaMotion Ball.” But there will also be a lot of familiar faces from user groups, online forums and Twitter lists that will be there as well. Being a post-production guy it feels like the MM Ball is a bit more post-entric while the ALL-IN poker event is a bit more DSLR oriented. This is no small event as there’s a lot of people involved in putting it together. If it’s been around for 14 years then they must be doing something right!

The cost of the MM Ball is $35 in advance and $45 at the door, that is if there are any door tickets left. It begins on Monday, April 11, 5:30pm in the Golden Room at the Sahara Hotel. That price includes food and an entry into the prize drawing. Food is served at 7 pm and we all know we need food at the end of a day on the show floor. Like most NAB events there’s some great sponsors and great prizes that will be given away. I think what’s most important to take away from the MM Ball is that it presents some time away from the hustle and bustle of the exhibit show floor to actually put names with faces and have a meaningful conversation. Grab your own tickets (and you can even have a look here and see who’s signed up already) and we’ll see you at the 2011 MediaMotion Ball.

This Japan Quake Map is amazing to watch as it shows the quake and its aftershocks in a way you may not have seen before. Consider donating to the Red Cross if you can. Or Doctors Without Borders for another great cause.

Avid Media Composer 5.5 has shipped. You asked, Avid listened. And Freddy’s big list of Avid links has been updated accordingly.

There’s been a lot of speculation on the next version of Final Cut Pro. I speculated a bit more. And this Cinema5D thread is just insane in its length and discussion on the topic.

Here’s the NAB exhibit interactive floorplan.

Are you going to the NAB SuperMeet? You could win a $30,000 DaVinci Resolve.

The RED EPIC articles and footage are starting to really fly. Check out The Impossible Shot.

These shooting tips from the edit suite are good shooting tips for all shooters.

Even if you don’t know what frankenbiting is you’ve probably done it before.

If you use Media Composer and AMA then you should know how to get out of the yard.

Here’s a great piece on DaVinci Resolve vs. Nucode Film Master.

Did you see all the 28 Days of Quicktips collected into one place?

Did you know you can communicate with Adobe’s pro video and audio teams?

If you don’t use multiple FCP window layouts you really should learn how to do it.

So you CAN install iMovie on a first generation iPad.

Try x264 as an alternative to H.264.

That’s a cute video to promote the Arri Alexa and your studio.

AJA Ki Pro Mini vs. nanoFlash.

Being an editor is hard work. And again but different: Being an editor is hard work.

If you’re wondering about SAN storage system then read this article.

And if you’re wondering about an “inexpensive” display for your post production then this article might help with that.

Another way to wirelessly control FCP with your iPhone.

I like to read about other’s Adobe Lightroom workflow since I use it and I’m not a pro photographer.

You might win an iPod Touch by submitting your idea for destroying one.

Links from Twitter:

GTechbyHitachi A classic #tedtalk to enjoy: How to make work-life balance work! http://ow.ly/4335e

MediaSilo Been wondering how to add your MediaSilo channels to your Apple TV? http://tinyb.it/4D680CB439FCB

freshdv Shutter Speed vs FPS: Here’s a short video tutorial on the topic of Shutter Speed http://bit.ly/dKuBhL

HDnews NVidia Announces CUDA 4.0 http://bit.ly/e1MbSJ

creattica The Freelancer’s Cheat Sheet for Collections http://enva.to/g4KcVz

FCPdotCO How to move projects from Final Cut Pro to Adobe Premiere using XML http://tinyurl.com/6cg8yds

endlesspicnic Wow, great blog post over at @hurlbutvisuals — the holy grail of 5D Media Management practices! http://bit.ly/hsZLXv

DanMoranColor I got bored after 18 nodes on HD Alexa ProRes 4444 http://plixi.com/p/82300914

artguillotine Sally Menke Audio interview PT. 1 http://bit.ly/ggrYxf PT. 2 http://bit.ly/g3nw7D

finalcutters 189 FREE Final Cut Studio plug-ins and apps #fcp #finalcutpro #editingandpost http://bit.ly/fcfree

artguillotine Want to know how to ingest and edit 7D footage on #avid http://bit.ly/h5t544 check out this video

joetombarello Do You Know Where Your Codecs Are In Your Computer? A Must Read For Video Editors ~> http://adobe.ly/hBm3YI

conigs The 3/11 earthquake as filmed by 15 citizens, viewed simultaneously. http://www.twofourtysixpm.com/

seanbonner Seriously, this first person Tsunami video is one of the scariest things I’ve ever seen. http://ow.ly/4dvh0

ftwo The Big Picture: Earthquake hits Japan http://post.ly/1jiSj

We’re doing 28 Days of Quicktips again over at the Editblog on PVC. And we’re also looking for reader submitted Quicktips. The best one gets  their choice of  a book and some iOS software. There’s been some great ones submitted thus far.

This is an interesting Motion Graphics Salary Survey.

This is a nice, quick trip for beginners through the After Effects 5 user interface.

If interesting in the new Panasonic AF100 here’s two good articles about this new cam.

Tao of Color has been continuing the move from Apple Color to DaVinci Resolve.

Magic Bullet Denoiser updated to fix some of the buggyness.

There’s a lot of good reading here about case studies in film editing.

And if you’re interested in mocha then here’s a good case studying using mocha AE.

Plus here’s a review of the powerful mocha Pro.

Do you need some cool uses for a monopod?

Doing some hand drawn animation in After Effects?

So, Lightworks editing software is free and nobody cares … apparently.

Shiny Shit is “A documentary about how one film editor decided to get even.”

Darren Aronofsky recommends these books about making movies.

If you ever need an editing application for Windows there’s apparently at least 18 free ones.

This CollabraCam iPhone app is kinda like a multicam production tool.

These are nice editing metaphors.

Everyone out there should look at this Fast, Cheap, Great infographic.

Links from Twitter:

justwinston “It’s like the 2001: A Space Odyssey of boxes.” A video about Kubrick’s archival boxes: ryderbox.co.uk/g-ryder-images… (.wmv)

mozhenko “Prepping a Final Cut Pro Project for Color Correction in DaVinci Trsolve on Vimeo” http://bit.ly/fuiPrO

shepherdfx The 10 Creepiest Abandoned Places http://su.pr/2XTu4A

melrosematt “Color Grading” tips for Avid Media Composer http://bit.ly/ihoSwf

freshdv RT @abelcine: Why Shoot in LOG? @Mitch_Gross demonstrates the differences between LOG and REC709 in this video, http://bit.ly/eEWkHH

artguillotine Check out what FCP originally looked like: http://bit.ly/hhGUar

CineAltaNews Recap: #HDCAMSR workflow guides for #3D, Double Speed Ingest for #DVS, #AVID, #QUANTEL, #FILMLIGHT here http://tinyurl.com/2g5n3jt

kev_mon Conan’s Editor Cracks Me Up! “I am a Avid Final Cut Ho” – The Ballad of the Bear Wrestler – American Editor http://bit.ly/g3ykHS

ESLightworks We have an interview with Tariq Anwar about his highly acclaimed use of #Lightworks on our site: http://www.lightworksbeta.com/spotlight

melrosematt Check out New Avid Digital Media Guide http://bit.ly/dRtfIj

notesonvideo Douglas Trubull, Larry Thorpe, Mark Schubin and the 24p debate: http://bit.ly/dEF7gO

luge INCEPTION: 10 min doc on filming Zero Gravity & Corridor fight seq’s- fantastic! http://snipurl.com/1xh0t0

AdobeAE complete list of all keyboard shortcuts in After Effects CS5 (+information on modifying them): http://bit.ly/bEDu05 http://fb.me/yuo4LmeT

digitalreb Premiere CS6 will apparently offer user experience improvements in order to tempt FCP users: appleinsider.com/articles/11/01…

As I write this it’s Tuesday night. Time is running out for two separate but equally cool things happening in our video production and post world. One is an educational bundle and one is an event. Both have only a few days left before they are gone!

The Tenth Annual San Francisco FCPUG SuperMeet is this coming Friday, January 28. Tickets are on sale now for $15 with $20 tickets at the door. As always there’s quite an agenda for this SuperMeet including a number of actual Final Cut Studio presentations! One of those is a presentation by the makers of the hilarious I The ProRes Maker music video. And there will be presentations on 3D and Smoke on Mac among others. Of course the world famous raffle is taking place  once again with over $47,000 in prizes. One of those prizes is an AJA Ki Pro Mini so if it’s actually shipping by then the winner may be one of the first owners!

All the information you might need to know about attending the the Tenth Annual San Francisco FCPUG SuperMeet is available at the SuperMeet webpage. Looks like it’s going to be a fun show.

The other item available this week only is a superbundle that FilmmakingWebinars.com has put together with all five DSLR filmmaking webinars they’ve produced thus far. This is $50 for five webinars and includes the  5 on-demand webinars, bonus material, podcast interviews as well as project and media files for trying out what was learned.

The 5 topics include the Production Reality Check, Post Workflows (which was my particular webinar), Color Grading Workflows, Audio Techniques Production and Post and DSLR Stabilizing Techniques.

This is a one-of-a-kind bundle so if you’re new to DSLR filmmaking the price of $50 really can’t be beat for the sheer volume of material you’ll get for that price. But hurry as this sale is only good through 1-29-2011.

TomCruise.com had a recent article about editing and the Editblog on PVC got a mention!

Studio Daily has posted my DaVinci Resolve for Mac review. It’s from an Apple Color user’s pov.

If you’re an Avid user then read this post about QuickTime workflow for proper brightness levels.

And here’s a must read piece if you’re syncing dailies in Avid Media Composer.

Yet another great article from Oliver Peters about demystifying color grading.

If you’re wondering about RED’s HDRx then this post explains a lot.

Speaking of color grading Little Frog in High Def looks at Colorista II.

ProLost is trying to help you determine The Shot You Can Make.

What is HD? What is HD indeed.

Need help finding magic hour?

Here’s a nice post about the very cool (though expensive) Cinedeck Extreme.

So are you worried that Apple will abandon Pro Video?

This is a great After Effects tutorial roundup.

Can you really stabilize motion without zooming?

You can get AirPlay to an old Apple TV with this app. And it works as I tried it.

And another USB 3.0 for Mac review.

Links from Twitter:

melrosematt Correct Color Correction? A Great Tech Blog By MVP’s Gary Carter http://bit.ly/gVVrHX

careyd How to re-constitute an FCP project when all you have is the h.264 SD card data: http://bit.ly/e0wJ9S

ebertchicago The Best Documentaries of 2010. My new blog entry, just posted. http://j.mp/f80N08

mjeppsen A handy flowchart to help you decide if you should do a job for free: http://bit.ly/fiPD6x

Lifehacker Sick of DRM on your iTunes video purchases and rentals? Here’s how to remove it: http://lifehacker.com/5731842

FCPDaily Luca Visual FX announces Film FX 2.0 — Awesome grunge & light clip based transitions for FCP, AVID, Premiere, etc!! http://bit.ly/e6jA64

synapticlight Not All 720p Is Created Equally : http://normanpogson.blogspot.com/2011/01/not-all-720p-is-created-equally.html

beerad 210% After Effects: Everything, including the music was made exclusively in After Effects. http://vimeo.com/17092568

artguillotine Help us get our new sister site trimbin.com up and running check it out: http://www.trimbin.com

KarlSoule Adobe Trial Users: Please be aware of some of the trial limitations: http://tinyurl.com/2f2evnn

markspen Ten Reasons to Attend NAB 2011 http://filmmakingcentral.com/fmc2/2011/01/03/blogs/ten-reasons-to-attend-nab-2011/

MrKelly2u Hmm. Cool site for finding flights – it’s almost fun to use! Hipmunk: http://bit.ly/d1X4rv

mikeseymour Detroit in ruins gu.com/p/2m5bv/tw via @guardian

danielkutz David Fincher’s Explains the Henley Royal Regatta Tilt-shift Scene from ‘The Social Network’ | /Film http://bit.ly/hHPpny

hljarboe Kickstarter – “The Bunker Letters” – A Film Of Political Frustration: http://kck.st/fqhhlD

digitalreb This article illustrates the differences between various color spaces and what purposes they are suitable for: http://bit.ly/fpRus3

smalltreecomm The return of ‘rabbit ears’ on televisions across the country? Perhaps says @BE_magazine – http://tiny.cc/xywhr

And if you’re an editor who hasn’t seen this ProRes rap then you should watch it now: